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Sinethemba Bili releases his homage to Dimbaza — 19 years later

Song is Eastern Cape producer, musician and sound engineer’s first jazz release

Nineteen years after composing his song titled ‘Dimbaza My
Home Town’ in 2007, Sinethemba Bili has finally had his long-awaited
breakthrough, following its official release on Sunday.
Sinethemba Bili Nineteen years after composing his song titled ‘Dimbaza My Home Town’ in 2007, Sinethemba Bili has finally had his long-awaited breakthrough, following its official release on Sunday.Picture: SUPPLIED

Nineteen years after composing the song Dimbaza My Home, producer, sound engineer, musician and educator Sinethemba Bili finally released it as a single on Sunday.

The song is Bili’s first jazz release.

He composed Dimbaza My Home in 2007, but life and other commitments got in the way of him releasing it.

“After some time, I got busy with other music projects and work,” Bili said.

“Last year, I got back to the composition and reworked it and released it.

“I felt it was the correct time, as my sound had developed as well.”

Bili said the song carried the spirit and memories of his hometown and was a deeply personal reflection on the place where he was raised and the experiences that shaped his life.

“The song is a tribute to my hometown Dimbaza.

“It’s a homage to memories and to the landscapes and escarpments that make up Dimbaza,” he said.

“From the terrains and slopes of Intaba kaNdoda, the sonic influences of home and the shared culture of community.”

Amalinda-based musician Pelokazi “Leepearl” Mdashe is preparing to release her latest four-track extended play (EP), with the title track Zaka, on Friday. Born in Ngcobo 26 years ago, the artist blends Lekompo sounds with isiXhosa and Venda storytelling in her music. She said her music was firmly established in her lived experiences. Her upcoming single is part of a broader, second EP project that she has been working on, with the official EP launch set for April 5. “Zaka is a song about hustling and working hard to earn money,” she said. “It speaks to the everyday struggles that many young people face, trying to survive and make something of themselves.” The track, which she wrote on February 15 2026, is the second song on a four-track EP. Despite being relatively new in the industry, Mdashe is no stranger to the studio. Other songs include Ndiwawe, Sezobuya and Anawo Amandla. She began her musical journey in 2022 and quickly found her balance, even landing an opportunity to contribute to the soundtrack for the Netflix film Collision. “That was a big moment for me, because it opened my eyes to what is possible in this industry.” At the time, she was signed to Del Productions, owned by Richard Kabuya, where she gained valuable experience and exposure. Since then, Mdashe has continued to grow as an independent artist, working closely with Man B Entertainment, which is now supporting her musical journey. Her EP will feature other songs such as Uliphakade lam, featuring Man B, Isilo samakhosi, and Ithongo lam, featuring MasterDee. I realised there are many people who can relate to my story, and music became the best way for me to tell that story and connect with others Through these tracks, Mdashe explores themes of identity, spirituality and perseverance, all while staying true to her unique sound. She said the inspiration behind Zaka came from her own life, balancing the pressures of hustling while also trying to further her studies. “I realised there are many people who can relate to my story, and music became the best way for me to tell that story and connect with others.” The song features Kushi Sings, adding a different layer to the track, while another collaborator, Anonymous RSA, has also contributed to the project. Mdashe believes these collaborations bring diversity and richness to her music and will help her reach a wider audience. Her target audience is broad. “It’s for everyone; it includes young people and adults. Anyone who understands what it means to work hard and chase a better life.” As she prepares for the release, Mdashe is hopeful about what lies ahead, as she dreams of growing her audience, securing more performances and eventually collaborating with artists beyond SA’s borders. “I want more plays, more gigs and more international collaborations,” she said. With her determination and a clear sense of purpose, Mdashe is part of a new generation of artists who are using music not just for entertainment but as a tool for storytelling and connection. Mdashe said Zaka stood as a reflection of resilience and a reminder that behind every dream was a story of hard work, sacrifice and hope. Click here to join the Daily Dispatch’s WhatsApp channel and get the latest news delivered straight to your phone Daily Dispatch

The contemporary jazz single forms part of an upcoming EP that will feature five tracks.

While many fans may know him for his gospel music, Bili said his latest project reflected another side of his musical identity.

“I come from a gospel background, so I have a few gospel songs I have released over the years,” he said.

“For my gospel music I go by the name of Sine Bili, and for jazz I use the name Bili Master.”

He said the Bili Master moniker was given to him by his mentor, jazz pianist Dr Nduduzo Makhathini, while he was still a student.

“It grew on me as I learnt to embrace it,” he said.

Bili’s musical journey dates back nearly three decades.

He started out in 1997 as part of the Masonwabe Gospel Group in Cape Town, an experience he credits with shaping his foundation as a musician.

“Sabelo Goba played a very crucial role in shaping my career, together with Siyabulela Sithela, who was my secondary keyboard coach,” he said.

He later returned home to Dimbaza, where he started his own recording studio before deciding to further his studies.

In 2016, he enrolled at the University of Fort Hare, where he studied music under Makhathini and Prof Zoliswa Twani, graduating with an honours degree in 2022.

The curiosity of childhood as we walked and played, taking in and learning about the culture and different music of the community

Over the years, his sound has been influenced by some of the country’s leading jazz pianists, including Abdullah Ibrahim, Andile Yenana and Sibusiso Mashiloane.

“The inspiration of the song was the memories of growing up as a young boy playing in the streets of Dimbaza,” Bili said.

“The curiosity of childhood as we walked and played, taking in and learning about the culture and different music of the community.”

He remembers the local musicians who helped shape his early understanding of music.

“The rehearsals were a way of learning and sharing. We would also talk about the history of Dimbaza and places like Intaba kaNdoda.

“Back then music was also a platform of mobilisation, and we would talk about what was happening in the country at the time,” he said.

SA grammy award-winning Zakes Bantwini says his new music is not focused on recreating past hits but rather honouring his creativity in real-time. After the mammoth success of this last album Ghetto King, yielding hits like Osama, Abantu and Girl in the Mirror, the Grammy-winning producer and musician takes a different path on his latest album, Echoes of Botanical Gardens created alongside Skye Wanda. He takes Sowetan through his creative and collaborative process: What was the inspiration behind your upcoming album? Echoes of Botanical Gardens was born out of stillness. It is a deeply intentional body of work, not a collection of songs, but a single, cohesive journey. The botanical gardens as a concept represent a place where different species coexist in harmony, each one distinct yet part of something larger. It differs from my previous work in that it is a true collaboration at its core. Skye Wanda and I poured equal parts of our hearts, time and spirit into every note. It is less about individual expression and more about what two artists can create when they fully trust each other. Sowetan: Can music lovers expect a new sound that they haven’t heard before? Absolutely. While the foundation remains Afro-house, which is where my soul lives, this album carries a deeper atmospheric quality. There is a nature-inspired, almost spiritual dimension to the sound. The layered percussion, the warmth in the arrangements, the way Skye’s voice moves through the production ... it creates an immersive world rather than just music to dance to. The collaborators on this project were chosen with great care and each one adds a texture that feels fresh while still feeling like home. Ghetto King had hits Osama and Girl in the Mirror — are you hoping to recreate that magic? Osama and Girl in the Mirror were moments of grace; those songs took on a life of their own. I’m forever grateful for that. But I have never been an artist who chases a previous moment. Each album is its own truth. What I hope for with Echoes of Botanical Gardens is that it moves people and it becomes the soundtrack to someone’s quiet morning, their long drive, their moment of reflection. If it does that, then I have succeeded. How long did it take you to make this album? This album has been growing quietly since early 2025. The process was one of patience and intentionality; there was no rush, no deadline driving the creative decisions. Skye and I allowed the music to breathe and to tell us when it was ready. That kind of process requires trust in each other, in the music and in the timing. Have you and Black Coffee rekindled your bromance? Nkosinathi [Black Coffee’s birth name] and I are brothers in music, a bond that was forged in a music school by a man who shaped both of our lives musically. The recent interaction occurred at a farewell dinner where a group of us who were shaped by the same school gathered to honour our lecturer, Mr Demi Fernandez, as he retires and returns to Spain. That evening was not about any of us; it was entirely about him (Fernandez). About what one dedicated educator can plant in young people, and how far those seeds can travel. As for the music, Echoes of Botanical Gardens is out now. Listen to it. — Sowetan S-MAG

Bili recorded, mixed and mastered the track himself under his label, Izwilombono Music and Creatives.

He worked with saxophonist Phakamile “Parker” Msizi on the project while programming the rest of the instrumentation.

“My music is for an intergenerational audience who can relate to my message of home and all its aspects and memories,” he said.

“I want people to remember home when they listen to it.”

Though the single is already out, Bili is planning an official launch alongside the release of the EP.

“I’ve received positive responses that evoke memories of South African jazz rhythm and culture,” he said.

Bili said the release was more than just putting out a song but about finally telling a story he had carried with him for years.

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